A Familiar Light in the Sky, Dimmer Than Before Despite a varied career making iconic films across genres and mediums, Steven Spielberg appears most comfortable and at ease within science fiction, and more specifically with films about aliens. Two of his earliest films, Close Encounters of the Third Kind (1977) and E.T. the Extra-Terrestrial (1982), are among the most famous in his filmography, and he has revisited that territory in films like War of the Worlds (2005) or, in

The Wayans return, but the jokes don't. Scary Movie (2026) starts promisingly then loses focus entirely in a second act of disconnected parody skits that can't replicate the sharp wit of the original.

A prodigious debut that trusts its mystery more than its message. Kane Parsons turns his YouTube horror into a gripping, claustrophobic debut feature that announces a major new filmmaking talent.

A brazen act of revisionism dressed up as a biopic. The Jackson estate delivers a sanitized greatest-hits listening party that tells us nothing about who Michael Jackson really was. Colman Domingo is the only one doing interesting work.

A heartwarming film that has no right being as good as it is. Hugh Jackman, Emma Thompson, Julia Louis-Dreyfus, and a flock of sheep solve a murder mystery in rural England — and somehow deliver one of the most genuinely moving family films in years.

A film that plays like a very expensive TV episode. The Mandalorian and Grogu has technical craft to spare, but Favreau and Filoni deliver a timid, inconsequential story that mistakes motion for cinema.