A Hollywood love letter that actually earns its bananas. Pierre Coffin sends the Minions to 1920s Hollywood and delivers the best entry in the franchise since the first Despicable Me.

Curry Barker's debut lingers long after the credits roll. A richly layered horror film about desire, manipulation, and the damage we do, anchored by an indomitable performance from Inde Navarrette.

Kara Zor-El arrives. The film around her does not. Milly Alcock is magnetic as Supergirl, but a passionless script and studio interference squander DC's most promising new asset.

A worthy toy, buried under too many boxes. Jessie finally gets her due as the emotional core of Toy Story 5, even if Pixar can't quite let go of Woody and Buzz long enough to let her story breathe.