The documentary filmmakers from “No Other Land” return with a harrowing follow-up. Anonymous Israeli soldiers, filmed on the rooftops of Tel Aviv, describe the systematic targeting of civilians in Gaza with a chilling matter-of-factness.

Alejandro G. Iñárritu's ambitious film is a tangled mess. Cruise delivers his best performance in two decades and Lubezki's practical craft is a joy, but the film refuses to commit to a single idea, tone or style.

The "lost film" is a winning comedy with meta commentary to boot. Shelved by Warner Bros. as a tax write-off and rescued by an independent buyer, Coyote vs. Acme turns out to be sharp, funny and unexpectedly profound.

Los Javis' historical epic is a poetic modern classic. A sweeping, formally daring meditation on queer erasure, historical memory and the cost of repression, anchored by a revelatory Guitarricadelafuente.

Zach Cregger's take is a compact and enjoyable survivalist horror. Austin Abrams carries a lean, atmospheric zombie thriller that finally cracks the video game adaptation curse, even if the humor occasionally breaks the spell.

Rodrigo Sorogoyen's heartwrenching latest delivers two masterful performances. Javier Bardem and Victoria Luengo are extraordinary in a father-daughter drama that refuses the comfort of reconciliation.